Saturday, October 07, 2006

Number 782 - Mungo Jerry



Number 782

Mungo Jerry

"In The Summertime"

(1970)
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Genre:Blues
Mungo Jerry is one of rock's great one-hit successes. Outside of England, they're known for exactly one song, but that song, "In the Summertime," is a seasonal anthem known by listeners who weren't even born when it was released. Mungo Jerry was a solid blues outfit as well -- in fact, one suspects they were the kind of blues band that purists Alexis Korner and Cyril Davies would have loved, had they ever intersected -- and knew how to get the most out of their jug band sound, which has helped them survive for three decades.
Rolling Stone Top 500 Songs ranked this song at Number (Er....no) and the Album ranked at Number (Can we get back to you?)
This song has a crowbarred rating of 64.8 out of 108
Search Artist here:1-2-3-A-B-C-D-E-F-G-H-I-J-K-L-M-N-O-P-Q-R-S-T-U-V-W-X-Y-Z

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Friday, October 06, 2006

Number 783 - Chuck Berry


Number 783

Chuck Berry

"Sweet Little 16"

(1958)
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Genre:Rock & Roll
"Of all the early breakthrough rock & roll artists, none is more important to the development of the music than Chuck Berry. He is its greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers. Quite simply, without him, there would be no Beatles, Rolling Stones, Beach Boys, Bob Dylan, nor a myriad others. There would be no standard "Chuck Berry guitar intro," the instrument's clarion call to get the joint rockin' in any setting. The clippety-clop rhythms of rockabilly would not have been mainstreamed into the now standard 4/4 rock & roll beat. There would be no obsessive wordplay by modern-day tunesmiths; in fact, the whole history (and artistic level) of rock & roll songwriting would have been much poorer without him. Like Brian Wilson said, he wrote "all of the great songs and came up with all the rock'n'roll beats." Those who do not claim him as a seminal influence or profess a liking for his music and showmanship show their ignorance of rock's development as well as his place as the music's first great creator. Elvis may have fueled rock & roll's imagery, but Chuck Berry was its heartbeat and original mindset. "

Some would say "If it hadn't been Chuck Berry, it would've been someone else" i just retort "I'm just glad it was him then"

For the Beatles see Number 489, #587, #894 & #947
For the Rolling Stones see Number 689 & #767
For Beach Boys see Number 517, #560, #576, #641 & #714
For Bob Dylan see Number 491, #841 & #929
For Elvis Presley see Number 443, #501 & #840

What does RS think about Chuck Berry?The archetypal rock & roller, Chuck Berry melded the blues, country, and a witty, defiant teen outlook into songs that have influenced virtually every rock musician in his wake. In his best work — about 40 songs (including "Round and Round," "Carol," "Brown Eyed Handsome Man," "Roll Over Beethoven," "Back in the U.S.A.," "Little Queenie"), recorded mostly in the mid- and late '50s — Berry matched some of the most resonant and witty lyrics in pop to music with a blues bottom and a country top, trademarking the results with his signature double-string guitar lick. On awarding Berry the prestigious Kennedy Center Honors Award in December 2000, President Bill Clinton hailed him as "one of the 20th Century's most influential musicians." ~ [Source: Rolling Stone]
Rolling Stone Top 500 Songs ranked this song at Number 272 and the Album ranked at Number (we create history, not Mr Berry!)
This song has a crowbarred rating of 64.8 out of 108

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Saturday, October 07, 2006

Number 781 - Santana


Number 781

Santana

"Smooth"

(1999)
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Genre:Latin Rock
" Santana is the primary exponent of Latin-tinged rock, particularly due to its combination of Latin percussion (congas, timbales, etc.) with bandleader Carlos Santana's distinctive, high-pitched lead guitar playing. The group was the last major act to emerge from the psychedelic San Francisco music scene of the 1960s and it enjoyed massive success at the end of the decade and into the early '70s. The musical direction then changed to a more contemplative and jazzy style as the band's early personnel gradually departed, leaving the name in the hands of Carlos Santana, who guided the group to consistent commercial success over the next quarter-century. By the mid-'90s, Santana seemed spent as a commercial force on records, though the group continued to attract audiences for its concerts worldwide. But the band made a surprising and monumental comeback in 1999 with Supernatural, an album featuring many guest stars that became Santana's best-selling release and won a raft of Grammy Awards. "
sing it sonny
"Carlos and Davis put together Supernatural, which was stuffed with appearances by high-profile guest stars including Eagle-Eye Cherry, Wyclef Jean, Eric Clapton, Lauryn Hill, Rob Thomas of matchbox 20, Everlast, and Dave Matthews. Arista released the album in June 1999, followed by the single "Smooth" featuring Rob Thomas. Album and single hit number one and in 2000, a second single, "Maria Maria," also topped the charts. Supernatural's sales exploded, taking it past ten million copies and the album garnered 11 Grammy nominations. Santana won eight Grammys, for Record of the Year ("Smooth"), Album of the Year, Best Pop Performance by a Duo or Group with Vocal ("Maria Maria"), Best Pop Collaboration with Vocals ("Smooth"), Best Pop Instrumental Performance ("El Farol"), Best Rock Performance by a Duo or Group with Vocal ("Put Your Lights On"), Best Rock Instrumental Performance ("The Calling"), and Best Rock Album, and "Smooth" won the Grammy for Song of the Year for authors Rob Thomas and Itaal Shur. The follow-up, Shaman, appeared in 2002. Three years later All That I Am arrived with Steven Tyler, Michelle Branch, Big Boi, Joss Stone, Bo Bice, and many more making guest appearances. ~ William Ruhlmann
For Eric Clapton see Number 537
For Eagle Eye Cherry see Number 787
For Dave Matthews visit Mellow Mix Volume 1 #066
What does RS think of Santana?
Through a long, erratic career laden with personnel changes, the group Santana has maintained popularity and critical respect with what was in the beginning an innovative fusion of rock, fiery Afro-Latin polyrhythms, and contrasting cool, low-key vocals. In time, group leader/guitarist Carlos Santana was drawn to jazz-rock fusion and worked outside the band with John McLaughlin, Stanley Clarke, and others. Though the mid-'70s saw Santana becoming involved in spiritual mysticism (he affixed "Devadip" before his name), by the decade's end the band was back in hard-driving rhythmic form and chalked up several hit dance singles. The group continued to perform off and on into the '90s; in 1994 Santana appeared at Woodstock '94, one of three acts who had previously performed at the original '69 festival that were asked to return to the 25th anniversary concert. Five years later, Clive Davis signed the band to Arista Records and, by teaming Santana with a varied host of current hitmakers (including Wyclef Jean and Rob Thomas of Matchbox Twenty), orchestrated one of the most phenomenal comeback success stories in rock & roll history. ~ [Source: Rolling Stone]
Rolling Stone Top 500 Songs ranked this song at Number (Would you believe no Santana songs at all?) and the Album ranked at Number (Tough Biccies)
This song has a total rating of 64.9 out of 108
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