Saturday, May 12, 2007

Number 619 - Ian Dury

Number 619

Ian Dury

"Hit Me With Your Rhythm Stick"

Huge hit here in New Zealand 1978/79 with Mother England's "". Back in those days we use to embrace the colonial music such as Jona Lewie, , Nick Lowe, Elvis Costello, Blondie and The Undertones. Now as we are in 2007 and New Zealand has moved away from English music (Unfortunately) just like our television shows are predominately American. Even our accents have changed to mimic with the American tv programs (tragically - and i say that only because we have no identity anymore). The poorer area's of New Zealand even imitate the American gangsta lifestyle and slang to even the point of wearing the colours.
Once, we as a country use to laugh in tears at , & , now it is just dreadful reality shows and wasteful programs like "" & . Ian Dury represents a time when all was good in New Zealand. America is great and so is England so don't get me wrong, but it is a shame when we can't even remember the halcyon days of New Zealand trying to discover what we should be ... and to now ... which it poorly mimics today. Hit me Mr Dury, please.
12.05.42 to 27.03.00
Rock & roll has always been populated by fringe figures, cult artists that managed to develop a fanatical following because of their outsized quirks, but few cult rockers have ever been quite as weird, or beloved, as Ian Dury. As the leader of the underappreciated and ill-fated pub-rockers Kilburn & the High Roads, Dury cut a striking figure -- he remained handicapped from a childhood bout with polio, yet stalked the stage with dynamic charisma, spitting out music-hall numbers and rockers in his thick Cockney accent. Dury was 28 at the time he formed Kilburn, and once they disbanded, conventional wisdom would have suggested that he was far too old to become a pop star, but conventional wisdom never played much of a role in Dury's career. Signing with the fledgling indie label Stiff in 1978, Dury developed a strange fusion of music-hall, punk rock and disco that brought him to stardom in his native England. Driven by a warped sense of humor and a pulsating beat, singles like "Hit Me With Your Rhythm Stick," "Sex & Drugs & Rock & Roll" and "Reasons to Be Cheerful (Part 3)" became Top Ten hits in the U.K., yet Dury's most distinctive qualities -- his dry wit and wordplay, thick Cockney brogue, and fascination with music-hall -- kept him from gaining popularity outside of England. After his second album, Dury's style became formulaic, and he faded away in the early '80s, turning to an acting career instead.

At the age of seven, Ian Dury was stricken with polio. After spending two years in hospital, he attended a school for the physically handicapped. Following high school, he attended to the Royal College of Art, and after his graduation, he taught painting at the Canterbury Art College. In 1970, when he was 28 years old, Dury formed his first band, Kilburn & the High Roads. The Kilburns played simple,'50s rock & roll, occasionally making a detour into jazz. Over the next three years, they became a fixture on England's pub-rock circuit. By 1973, their following was large enough that Dury could quit his teaching job. Several British critics became dedicated fans, and one of them, Charlie Gillett, became their manager. Gillett helped the band sign to the Warner subsidiary Raft, and the group recorded an album for the label in 1974. Warner refused to release the album, and after some struggling, the Kilburns broke away from Raft and signed with the Pye subsidiary Dawn in 1975. Dawn released Handsome in 1975, but by that point, the pub-rock scene was in decline, and the album was ignored. Kilburn & the High Roads disbanded by the end of the year

Following the dissolution of the Kilburns, Dury continued to work with the band's pianist/guitarist, Chaz Jankel. By 1977, Dury had secured a contract with Stiff Records, and he recorded his debut with Jankel and a variety of pub-rock veterans -- including former Kilburn Davey Payne -- and session musicians. Stiff had Dury play the 1977 package tour Live Stiffs in order to support his debut album New Boots and Panties!!, so he and Jankel assembled the Blockheads, recruiting guitarist John Turnbull, pianist Mickey Gallagher, bassist Norman Watt Roy and drummer Charley Charles. Dury and the Blockheads became a very popular act shortly after the Live Stiffs tour, and New Boots and Panties!! became a major hit, staying on the U.K. charts for nearly two years; it would eventually sell over a million copies worldwide. The album's first single, "What A Waste," reached the British Top Ten, while the subsequent non-LP single "Hit Me With Your Rhythm Stick" climbed all the way to number one.

Ian Dury had unexpectedly become a superstar in Britain, and American record companies were suddenly very interested in him. Arista won the rights to distribute Dury's Stiff recordings in the U.S., but despite overwhelmingly positive reviews, New Boots and Panties!! stiffed in America, and the label instantly dropped him. Despite his poor U.S. sales, Dury was still riding high in his homeland, with his second album, Do It Yourself, entering the U.K. charts upon its summer release in 1979. Dury supported the acclaimed album, which saw him delving deeply into disco, with an extensive tour capped off by the release of the single "Reasons to Be Cheerful (Part 3)," which climbed to number three. Once the tour was completed, Jankel left the band and Dury replaced him with Wilko Johnson, former lead guitarist for Dr. Feelgood. With Johnson, Dury released his last Stiff album, Laughter, which received mixed reviews but respectable sales upon its 1980 release. The following year, he signed with Polydor Records and reunited with Jankel. The pair flew to the Bahamas to record his Polydor debut with reggae superstars Sly Dunbar and Robbie Shakespeare. The resulting album, Lord Upminster, received mixed reviews and poor sales upon its 1981 release; the album was notable for the inclusion of the single "Spasticus Autisticus," a song Dury wrote for the United Nations Year of the Disabled, but was rejected

He appeared in several plays and television shows, as well as the Peter Greenaway film The Cook, the Thief, His Wife and Her Lover and Roman Polanski's movie Pirates. He also began to write jingles for British commercials. In 1989, he wrote the musical Apples with Mickey Gallagher, and he also appeared in the stage production of the play. Dury returned to recording in 1992 with The Bus Driver's Prayer and Other Stories. In May 1998, Dury announced that he had be diagnosed with colon cancer in 1995 and that the disease had spread to his liver. He decided to release the information the weekend of his 56th birthday, in hopes of offering encouragement for others battling the disease. For the next year, he battled the disease while keeping a public profile -- in the fall of 1999, he was inducted into Q magazine's songwriting hall of fame, and he appeared at the ceremony. Sadly, it was his last public appearance. Dury succumbed to cancer on March 27, 2000. He left behind a truly unique, individual body of work. ~ Stephen Thomas Erlewine

The Ian Dury website opened an online book of condolence shortly after his death, which was signed by hundreds of fans, and the 250 mourners at his funeral included fellow musicians Suggs and Jools Holland as well as "celebrity fans" such as Mo Mowlam.

Dury's son, Baxter Dury, is also a singer. He sang a few of his father's songs at the wake after the funeral, and has released his own albums, Len Parrot's Memorial Lift and Floor Show.

In 2002, a musical bench was placed in Poet's Corner, near Pembroke Lodge, within Richmond Park, South-West London, being a favoured viewing spot of Dury's. This solar-powered seat was intended to allow visitors to plug in and listen to eight of his songs as well as an interview, but has been subjected to repeated vandalism. (wankers)

For Jona Lewie see Number 991
For Blondie see Number 594
For Nick Lowe see Number 998
For Elvis Costello see Number 876
For Undertones see Number 952

What did Rolling Stone have to say about Ian Dury
The late Cockney-accented singer Dury (and his trusty collaborator, keyboardist Chaz Jankel) wittily bridged the gap between the British skinny-tie crowd and the American disco mob (with a touch of vaudeville thrown in) during his 1977-80 heyday. Most of his records' energy came from the tension between Dury's awkward, blustery delivery and the Blockheads' slicked-up grooves, and they milked it for all the charm it was worth. Sex & Drugs & Rock & Roll, basically an expanded version of their better-sequenced Juke Box Dury compilation, includes all of their dance crossover hits: the deadpan-anthemic title song, "Reasons to Be Cheerful, Part 3," and the funky and goofy "Hit Me With Your Rhythm Stick." (DOUGLAS WOLK)

Rolling Stone Top 500 Songs ranked this song at Number (As quaint as he was...) and the Album ranked at Number (....he was just to abstract for us)
This song has a crowbarred rating of 71.6 out of 108
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