When Andrew, (who is really our resident Hippy) bought over to my place a *shit hot new band* (his words) called Red Hot Chili Peppers and their new album "True Men Don't Kill Coyotes" to my house in 1980s, it just made me want to reach for my favourite golf driver, tee up and send the crap away. Far .. far far away. Lets be honest, its was pure tripe shite.
But as time lingers on, prejudices and tastes fuzzy over the rough edges of what you once heard so many years ago. Now RHCP pack arenas worldwide and sell multi million Cd's, merchandise etc, yeah so what ... yawn. But what is interesting from the time i wanted to grab my BIG Bertha ™ to wanting to purchase a concert ticket was their =fusion in sound= that made me think differently about them. Point is, at first listen ... it was dreadful. Why? Because it was sociably abnormal. they sounded like no-one else and to most people (like me) a clash of noise exploding in your ears like Yoko Ono singing the blues. Try imagining that.
But in 1991 all became clear to me what RHCP meant. It meant "Under The Bridge" which is now a timeless classic and if you really put it into perspective, its a bit like the Silver Beatles vs The Beatles. In other words ..... every band has to start somewhere and learn what it is that make them special. Righto, I'm off to listen to that RHCP for the 2nd time since 1984. Wheres my golf clubs .... oh yeah *evil grin* FOURRRRRRRRRRRRRR!
Few rock groups of the '80s broke down as many musical barriers and were as original as theRed Hot Chili Peppers. Creating an intoxicating new musical style by combining funk and punk rock together (with an explosive stage show, to boot), the Chili Peppers spawned a slew of imitators in their wake, but still managed to be the leaders of the pack by the dawn of the 21st century. The roots of the band lay in a friendship forged by three school chums,Anthony Kiedis, Michael Balzary, and Hillel Slovak, while they attended Fairfax High School in California back in the late '70s/early '80s. While Balzary and Slovak showed great musical promise (on trumpet and guitar,respectively), Kiedisfocused on poetry and acting during his high school career. During this time, Slovak taught Balzaryhow to play bass, while the duo encouraged Kiedis to start putting his poetry to music, which he soon did.
Influenced heavily by the burgeoning L.A. punk scene (the Germs,Black Flag, Fear,Minutemen,X,etc.) as well as funk(Parliament-Funkadelic,Sly & the Family Stone, etc.), the trio began to rehearse with another friend, drummer Jack Irons, leading to the formation of Tony Flow & the Miraculously Majestic Masters of Mayhem, a group that played strip bars along the sunset strip during the early '80s. It was during this time that the quartet honed their sound and live act (as they stumbled across a stage gimmick that would soon become their trademark -- performing on-stage completely naked, except for a tube sock covering a certain part of their anatomy). By 1983, Balzaryhad begun to go by the name "Flea," and the group changed their name to theRed Hot Chili Peppers.
Word spread quickly about the up-and-coming band, resulting in a recording contract with EMI. But before the Chili Peppers could begin work on their debut,FleaandKiediswere dealt a disappointing blow when both Slovak and Irons announced that they were leaving to focus more on another band they were in, What Is This. With replacement members Jack Sherman (guitar) and Cliff Martinez (drums) filling in, the Peppers released their self-titled debut in 1984. But the absence of the two original members showed, as the album failed to capture the excitement of their live show. While the album didn't set the world on fire sales-wise, the group began to build a dedicated underground following with college radio buffs.
By 1985,What Is This was kaput (after issuing a single self-titled album), as Slovak and Irons returned back to the Peppers, resulting in the George Clinton-produced Freaky Styley. While the album was an improvement over its predecessor, it still lacked the fire of the band's in-concert experience, a problem that would finally be solved with their next album, 1987's The Uplift Mofo Party Plan. The album was the group's first to make an impression on the charts, and they followed it up a year later with stopgap five-track release, The Abbey Road EP, in 1988. But just as the world was warming up to the Peppers, tragedy struck when Slovak died from a heroin overdose on June 25, 1988.
In the wake of Slovak's death, Irons left the group for the second and final time, while Kiedis (who was also battling drug addiction at the time) and Flea decided to soldier on. After a new lineup consisting of former Parliament guitarist Blackbyrd McKnight and former Dead Kennedysdrummer D.H. Peligro didn't work out, the duo found worthy replacements in newcomers John Frusciante and Chad Smith. The new-look Chili Peppers hit pay dirt straight away, as their first album together, 1989's Mother's Milk, became a surprise hit due to MTV's exposure of their videos for a cover of Stevie Wonder's"Higher Ground" and a song about their fallen friend Slovak, "Knock Me Down," as the album was certified gold by early 1990. The group knew that their next release would be the most important one of their career, so they moved into a mansion-turned-recording studio with producerRick Rubin to work on what would become their most successful release yet, the stripped-down Blood Sugar Sex Magik (their first for the Warner Bros. label). The album became a monster hit upon its September 1991 release (going on to eventually sell a staggering seven million copies in the U.S. alone), as it spawned such hits as "Give It Away" and the group's first Top Ten single, "Under the Bridge."
oooh errrr Mr Mannering
But not all was well in the Chili Peppers camp. Like his predecessor, Frusciante had become addicted to hard drugs, and abruptly left the band mid-tour in early 1992. Undeterred, the band enlisted new member Arik Marshall, and headlined Lollapalooza II in the summer. When the band returned to the studio to work on their sixth release overall, it quickly became apparent that Marshall didn't fit in, and was replaced by Jesse Tobias. But before Tobias could record a note with the group, he was handed his walking papers as well, and former Jane's Addiction guitarist Dave Navarro signed on. After a layoff of four years, the Peppers' much-delayed follow-up to BSSM was released in 1995, One Hot Minute. While the album was a sizeable hit, it failed to match the success and musical focus of its predecessor, as it became apparent during the album's ensuing tour that Navarro wasn't fitting in as well as originally hoped, and left the band in early 1998.
Like totally dude
After Frusciante had left the group, he released a pair of obscure solo releases, 1995's Niandra Lades and Usually Just a T-Shirt and 1997's Smile from the Streets You Hold, yet rumors circulated that the guitarist was homeless, penniless, and sickly with a death-defying drug habit. After checking himself into rehab and putting his demons behind him, Frusciante emerged once again refocused and re-energized, and promptly accepted an invitation to rejoin the Peppers once more. The group's reunion album, 1999's Californication, proved to be another monster success, reconfirming the Chili Peppers as one of alternative rock's top bands. The band put in a quick guest appearance on Fishbone'sPsychotic Friends Nuttwerx before hitting the road to support the album. The following months found the band getting involved in bizarre situations and controversies. First, their refusal to play songs from One Hot Minute during the tour was an unpopular decision with some fans and a sore spot for Dave Navarro.
Can i borrow a shirt?
Next, they reignited a personal feud between Kiedis and Mr. Bungle singer Mike Patton by refusing to play a series of European concerts with Bungle. Patton responded with a "tribute" show for the Peppers, where Bungle mocked their stage moves, faked shooting up heroin, and imitated Kiedis' comments about Patton. They also played the ill-fated Woodstock '99 festival, where their headlining performance was met with piles of burning rubble and a full-scale riot. Tours with theFoo FightersandPearl Jambrought them into the next year without problems, but they stepped off the road after a planned stop in Israel was halted due to security worries. They returned to the studio in November of 2001 and by the summer of 2002 they had a new album ready to drop, By the Way. Warner Brothers released a Greatest Hits compilation in 2003, followed by a chart-topping two-CD album of all-new material, Stadium Arcadium, in 2006. ~ [Greg Prato, All Music Guide]
Things were not particularly rosy when the Red Hot Chili Peppers retreated to a Los Angeles mansion in 1990 to record BloodSugarSexMagik. The funk rockers had weathered the 1988 heroin-overdose death of founding guitarist Hillel Slovak, and singer Anthony Kiedis and new guitarist John Frusciante had struggled in the drug's grip. Meanwhile, their music had devolved into a tiresome formula of sex-obsessed camp and gratuitous riffage.
Enter Rick Rubin. Insisting on airborne melodies, filtering the rhythmic rumble down to a brutal essence, the acclaimed Beastie Boys producer changed the Chilis' dynamic. The pummeling "Give It Away" and the incendiary "Suck My Kiss" established a template for rock punctuated by the beatcentric relentlessness of hip-hop that would be appropriated by everyone from Limp Bizkit to Dr. Dre. But it was the more introverted material -- the lashing, triple-meter "Breaking the Girl" and Kiedis' drug confessional "Under the Bridge" -- that revealed new dimensions. The rhythm section displayed a growing curiosity about studio texture and nuance -- interests it would explore on the expansive ballads of the subsequent multiplatinum Californication (1999) and By the Way (2002). ~ Source [TOM MOON(RS 931 - September 18, 2003)]
Welcome to "The Definitive 1000 Songs of All Time 1955 to 2005" & the Mellow Mix Volumes.This site is merely to question Rolling Stone Magazine's Top 500 Songs. Everyone has songs they
like and everyone has dislikes. Remember music is like clothing.. there are many styles,
so why on earth would all people want to wear jockey "Y" fronts???
Oh, & don't forget to RATE the songs. Ta