Number 771 - Edwin Starr
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Number 771
Edwin Starr
"25 Miles"
(1968)
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Genre:R&B/Soul
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January 21, 1942 – April 2, 2003
"Rightly revered for the storming protest classic "War," Edwin Starr didn't really need another hit to achieve legendary status in soul circles, so electrifying was that single performance. Starr first made his name as "Agent Double-O-Soul," and when his contract was transferred to Motown, he instantly became one of the roughest, toughest vocalists on the crossover-friendly label, with his debt to James Brown and the Stax soul shouters. Even if nothing else ever matched the phenomenon of "War," Starr had several Top Ten hits on the R&B charts over the late '60s and early '70s, and also enjoyed a brief renaissance during the disco era. "
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Starr moved to the U.K. during the '80s, recording a Marvin Gaye tribute album for Streetwave and a handful of singles for Hippodrome over 1985-1986. His participation in the Ferry Aid charity project led to a deal with Virgin and a session with the hot production team of Stock, Aitken & Waterman, but he didn't take to their high-tech dance-pop style and instead moved to Ian Levine's Motown revival label Motorcity from 1989-1991. Later he guested on dance remakes of his past hits by Utah Saints ("Funky Music") and Three Amigos ("25 Miles"), but otherwise recorded little until his death in 2003. ~ [Steve Huey]
For James Brown see Number 741
What Rolling Stone Magazine think about Edwin Starr?
In the mid-'60s, gruff-voiced Edwin Starr scored a few hits for Detroit's tiny Ric-Tic label, and then moved on to the mother ship, Motown. There, he's chiefly remembered as an early proponent of message music--"War" (1970) became a #1 pop hit and was later covered by Bruce Springsteen; its followup, "Stop the War Now," reached #26 on the pop charts. His albums are sturdy soul music, not the work of a true trailblazer, but certainly the commendable product of an ace craftsman. Hell up in Harlem is the tough soundtrack to one of the representative blaxploitation films of the era; Legends gives up the most solid stuff; The Millennium Collection is an okay Starr primer.
For Marvin Gaye see Number 611
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In the mid-'60s, gruff-voiced Edwin Starr scored a few hits for Detroit's tiny Ric-Tic label, and then moved on to the mother ship, Motown. There, he's chiefly remembered as an early proponent of message music--"War" (1970) became a #1 pop hit and was later covered by Bruce Springsteen; its followup, "Stop the War Now," reached #26 on the pop charts. His albums are sturdy soul music, not the work of a true trailblazer, but certainly the commendable product of an ace craftsman. Hell up in Harlem is the tough soundtrack to one of the representative blaxploitation films of the era; Legends gives up the most solid stuff; The Millennium Collection is an okay Starr primer.
For Bruce Springsteen see Number 817
Rolling Stone Top 500 Songs ranked this song at Number (Your dreaming!) and the Album ranked at Number (We make the big decisions here Mr Crowbarred....not you)
This song has a crowbarred rating of 65.3 out of 108
Tags:Edwin Starr, 1968, Soul, James Brown, Berry Gordy,Norman Whitfield, Utah Saints, Marvin Gaye,YouTube, Music Video, Rolling Stone Magazine, Crowbarred, New Zealand, Crowbarred Unleashed, The Definitive 1000 Songs Of All Time, Mellow Mix Volume 1, Mellow Mix Volume 2, Mellow Mix Volume 3, Mellow Mix Volume 4, Mellow Mix Volume 5, Mellow Mix Volume 6, Mellow Mix Volume 7, Mellow Mix Volume 9, Mellow Mix Volume 10, Mellow Mix Volume 11, Mellow Mix Volume 12
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