Counting down to the Number 1 Song Of All Time! On screen is the latest song added to the Top 1000.
This is a "Work in Progress" so be patient.. please! (Ok.. Moan, what the hell)
Saturday, November 18, 2006
Number 729 - The Doors
Number 729 The Doors "The End" (1967)
Apocalyspe Now the film, had only three actual songs, each memorable in their own light, appear on the soundtrack: "The End" by The Doors, which captures the film's doors of perception theme, "Susie Q" and Wagner's "Ride of the Valkyries." (Musta been a party fave huh?)
A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band's fusion of rock, blues, classical, jazz, and poetry with a knockout punch. The lean, spidery guitar and organ riffs interweave with a hypnotic menace, providing a seductive backdrop for Jim Morrison's captivating vocals and probing prose. "Light My Fire" was the cut that topped the charts and established the group as stars, but most of the rest of the album is just as impressive, including some of their best songs: the propulsive "Break On Through" (their first single), the beguiling Oriental mystery of "The Crystal Ship," the mysterious "End of the Night," "Take It as It Comes" (one of several tunes besides "Light My Fire" that also had hit potential), and the stomping rock of "Soul Kitchen" and "Twentieth Century Fox." The 11-minute Oedipal drama "The End" was the group at its most daring and, some would contend, overambitious. It was nonetheless a haunting cap to an album whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered. ~ [Richie Unterberger]
Sex, death, reptiles, charisma, and a unique variant of the electric blues gave the Doors an aura of profundity that not only survived but has grown during the 30 years since Jim Morrison's death. By themselves, Morrison's lyrics read like adolescent posturings, but with his sexually charged delivery, Ray Manzarek's dry organ, and Robby Krieger's jazzy guitar, they became eerie, powerful, almost shamanistic invocations that hinted at a familiarity with darker forces, and, in Morrison’s case, an obsession with excess and death. At its best, the Doors’ music — “Light My Fire,” “L.A. Woman” — has come to evoke a noirish view of ’60s California that contrasts sharply with the era’s prevailing folky, trippy style. ~ [Source: RS - Updated from The Rolling Stone Encyclopedia of Rock & Roll (Simon & Schuster, 2001]
Rolling Stone Top 500 Songs ranked this song at Number328and the album ranked42
This song has a crowbarred rating of 67 out of 108
Welcome to "The Definitive 1000 Songs of All Time 1955 to 2005" & the Mellow Mix Volumes.This site is merely to question Rolling Stone Magazine's Top 500 Songs. Everyone has songs they
like and everyone has dislikes. Remember music is like clothing.. there are many styles,
so why on earth would all people want to wear jockey "Y" fronts???
Oh, & don't forget to RATE the songs. Ta