Thursday, November 02, 2006

Number 747 - Queen


Number 747

Queen

"Fat Bottom Girls"

(1978)
.
.

.
Genre:Rock
Gazza here.... Yes i know, a few of you got %!%^@$&* upset because i swore, says limp wristed crowbarred. Well, i been thinking about my attitude, so here you are... &^$%^%#$#@ !

When it comes to Queen there are no innocents in friendly fire! As far as i'm concerned "Fat Bottom Girls" should be the NUMBER 1 of "The Definitive 1000 songs Of All Time" !!! But crowbarred has the final say (we will see).


"Few bands embodied the pure excess of the '70s like . Embracing the exaggerated pomp of prog rock and heavy metal, as well as vaudevillian music hall, the British quartet delved deeply into camp and bombast, creating a huge, mock-operatic sound with layered guitars and overdubbed vocals. 's music was a bizarre yet highly accessible fusion of the macho and the fey. For years, their albums boasted the motto "no synthesizers were used on this record," signaling their allegiance with the legions of post- hard rock bands. But vocalist brought an extravagant sense of camp to the band, pushing them toward kitschy humor and pseudo-classical arrangements, as epitomized on their best-known song, "Bohemian Rhapsody." , it must be said, was a flamboyant bisexual who managed to keep his sexuality in the closet until his death from AIDS in 1992. Nevertheless, his sexuality was apparent throughout 's music, from their very name to their veiled lyrics -- it was truly bizarre to hear gay anthems like "We Are the Champions" turn into celebrations of sports victories. That would have been impossible without , one of the most dynamic and charismatic frontmen in rock history. Through his legendary theatrical performances, became one of the most popular bands in the world in the mid-'70s; in England, they remained second only to in popularity and collectibility in the '90s. Despite their enormous popularity, were never taken seriously by rock critics -- an infamous review labeled their 1979 album Jazz as "fascist." In spite of such harsh criticism, the band's popularity rarely waned; even in the late '80s, the group retained a fanatical following except in America. In the States, their popularity peaked in the early '80s, just as they finished nearly a decade's worth of extraordinarily popular records. And while those records were never praised, they sold in enormous numbers, and traces of 's music could be heard in several generations of hard rock and metal bands in the next two decades, from to . "

"The origins of lay in the hard rock psychedelic group , which guitarist and drummer joined in 1967. Following the departure of Smile's lead vocalist, , in 1971, and formed a group with , the former lead singer for . Within a few months, bassist joined them, and they began rehearsing. Over the next two years, as all four members completed college, they simply rehearsed, playing just a handful of gigs. By 1973, they had begun to concentrate on their career, releasing the -produced that year and setting out on their first tour. was more or less a straight metal album and failed to receive much acclaim, but Queen II became an unexpected British breakthrough early in 1974. Before its release, the band played Top of the Pops, performing "Seven Seas of Rhye." Both the song and the performance were a smash success, and the single rocketed into the Top Ten, setting the stage for Queen II to reach number five. Following its release, the group embarked on its first American tour, supporting . On the strength of their campily dramatic performances, the album climbed to number 43 in the States".

released their third album, Sheer Heart Attack, before the end of 1974. The music hall meets "Killer Queen" climbed to number two on the U.K. charts, taking the album to number two as well. Sheer Heart Attack made some inroads in America as well, setting the stage for the breakthrough of 1975's A Night at the Opera. labored long and hard over the record; according to many reports, it was the most expensive rock record ever made at the time of its release. The first single from the record, "Bohemian Rhapsody," became 's signature song, and with its bombastic, mock-operatic structure punctuated by heavy metal riffing, it encapsulates their music. It also is the symbol for their musical excesses -- the song took three weeks to record, and there were so many vocal overdubs on the record that it was possible see through the tape at certain points. To support "Bohemian Rhapsody," shot one of the first conceptual music videos, and the gamble paid off as the single spent nine weeks at number one in the England, breaking the record for the longest run at number one. The song and A Night at the Opera were equally successful in America, as the album climbed into the Top Ten and quickly went platinum. "

were at the height of their popularity as they entered the '80s, releasing The Game, their most diverse album to date, in 1980. On the strength of two number one singles -- the campy rockabilly "Crazy Little Thing Called Love" and the disco-fied "Another One Bites the Dust" -- The Game became the group's first American number one album. However, the bottom fell out of the group's popularity, particularly in the U.S., shortly afterward. Their largely instrumental soundtrack to Flash Gordon was coldly received later in 1980. With the help of , were able to successfully compete with new wave with 1981's hit single "Under Pressure" -- their first U.K. number one since "Bohemian Rhapsody" -- which was included both on their 1981 Greatest Hits and 1982's Hot Space. Instead of proving the group's vitality, "Under Pressure" was a last gasp. Hot Space was only a moderate hit, and the more rock-oriented The Works (1984) also was a minor hit, with only "Radio Ga Ga" receiving much attention. Shortly afterward, they left Elektra and signed with Capitol."

"Faced with their decreased popularity in the U.S. and waning popularity in Britain, began touring foreign markets, cultivating a large, dedicated fan base in Latin America, Asia, and Africa, continents that most rock groups ignored. In 1985, they returned to popularity in Britain in the wake of their show-stopping performance at Live Aid. The following year, they released A Kind of Magic to strong European sales, but they failed to make headway in the States. The same fate befell 1989's The Miracle, yet 1991's Innuendo was greeted more favorably, going gold and peaking at number 30 in the U.S. Nevertheless, it still was a far bigger success in Europe, entering the U.K. charts at number One. "

By 1991, had drastically scaled back their activity, causing many rumors to circulate about 's health. On November 23, he issued a statement confirming that he was stricken with AIDS; he died the next day. The following spring, the remaining members of held a memorial concert at Wembley Stadium, which was broadcast to an international audience of more than one billion. Featuring such guest artists as , , , , and , the concert raised millions for the Mercury Phoenix Trust, which was established for AIDS awareness. The concert coincided with a revival of interest in "Bohemian Rhapsody," which climbed to number two in the U.S. and number one in the U.K. in the wake of its appearance in the comedy Wayne's World. Following 's death, the remaining members of were fairly quiet. released his second solo album, Back to the Light, in 1993, ten years after the release of his first record. cut a few records with the Cross, which he had been playing with since 1987, while essentially retired. The three reunited in 1994 to record backing tapes for vocal tracks recorded on his death bed. The resulting album, Made in Heaven, was released in 1995 to mixed reviews and strong sales, particularly in Europe. Crown Jewels, a box set repackaging their first eight LPs, followed in 1998. Archival live recordings, DVDs and compilations kept appearing through the new millennium. In 2005 the name was revived but this time with "+ Paul Rodgers" appended to it. Rodgers, the former lead singer of and , joined and -- remained retired -- for some live shows, one of which was documented on 2005's Return of the Champions, a double disc on the Hollywood label. ~ Stephen Thomas Erlewine

For Led Zeppelin see Number 957 & Number 577
For the Beatles see Number 947, 894 & 587
For Metallica visit MM Vol 1 # 033
For David Bowie see Number 634
For Elton John see Number 531
For Annie Lenox visit MM Vol 1 #134
For Smashing Pumpkins see Number 864, 811, 680 & 568
For more Smashing Pumpkins visit MM Vol 1 #139
For Guns n Roses see Number 795 & 557

What Rolling Stone Mag think about Queen?....Excessive, decadent, theatrical, androgynous, tasteless, mocking, ironic, self-conscious: Queen lived up to its moniker with gleeful abandon. It could only have happened in the '70s. In fact, the British quar-tet's popularity in the States plummeted immediately after the career peak of 1980's The Game. With good reason, too; the font of crafty hooks suddenly dried up. But in the group's prime, guitarist Brian May and irrepressible lead singer Freddie Mercury provided a steady flow of bombastically catchy schlock-rock hits. Although the albums drag with mediocre filler that sinks the group far below the level of, say, Led Zeppelin in terms of overall achievement, the triumphant pomp of Queen's biggest hits -- "Another One Bites the Dust," "We Are the Champions," "Bohemian Rhapsody" -- eclipses the copious weak material. Mercury stands apart as a sexual sphinx in the decade of not-entirely-liberated excess: A gay man who lived out the classic straight-male fantasy of leading a rock band, he paraded his sexuality before millions -- it remained unspoken, an open secret -- and though stricken with AIDS, he did not publicly admit to having the disease until the day before his death, in late 1991.

Well i personally LOVE Rolling Stone so all you FREAKS ... kiss my mother trucking ($%*&)(*^%^ and #$@#$! ;^#;^^*(%$^&4!!^&%$^. AMEN
It's all yourS crowbarred, cos i'm quite sure we are back to the pop smooch music you enjoy. Now if you don't mind i am going to crank this video.. and LOUD! (Gazza love you Rolling Stone :) ) xxxxx


Crowbarreds choice for Website to find more on Queen ... Click on the address http://www.queenworld.com/


Rolling Stone Top 500 Songs ranked this song at Number (Sorry Gazza, but we like 3 others, just not this tripe!) and the Album ranked at Number (Sorry, no... but we love you too Gazza) xxxx
This song has a crowbarred rating of 66.4 out of 108
Search Artist here:1-2-3-A-B-C-D-E-F-G-H-I-J-K-L-M-N-O-P-Q-R-S-T-U-V-W-X-Y-Z

underlay trademe

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