Number 651 - Cheap Trick
"I Want You To Want Me"
Combining a love for British guitar pop songcraft with crunching power chords and a flair for the absurd, Cheap Trick provided the necessary links between '60s pop, heavy metal, and punk. Led by guitarist Rick Nielsen, the band's early albums were filled with highly melodic, well-written songs that drew equally from the crafted pop of The Beatles, the sonic assault of the Who, and the tongue-in-cheek musical eclecticism and humor of the Move. Their sound provided a blueprint for both power pop and arena rock; it also had a surprisingly long-lived effect on both alternative and heavy metal bands of the '80s and '90s, who also relied on the combination of loud riffs and catchy melodies.
For The Beatles see Numbers 894 & Number 947
Cheap Trick's roots lie in Fuse, a late-'60s Rockford, IL, band formed by Rick Nielsen and bassist Tom Petersson, who released an unsuccessful album on Epic in 1969. After the record failed to gain any attention, the band relocated to Philadelphia and changed their name to Sick Man of Europe. The group toured Europe unsuccessfully in 1972, returning to Illinois in 1973. Not long after their return to Rockford, Rick Nielsen and Tom Petersson changed their band's name to Cheap Trick, adding drummer Bun E Carlos and vocalist Randy "Xeno" Hogan. Hogan was fired the following year and ex-folksinger Robin Zander joined the group. Between 1975 and the band's first album in 1977, Cheap Trick toured constantly, playing over 200 concerts a year, including opening slots for The Kinks, Kiss, Santana, AC/DC, and Queen. During this time, the band built up a solid catalog of original songs that would eventually comprise their first three albums; they also perfected their kinetic live show.
For Kiss see Number 733
For Santana see Number 781
For Queen see Number 747, #799 & #805
Cheap Trick signed with Epic Records in 1976, releasing their self-titled debut in early 1977. The record sold well in America, yet it failed to chart. However, the group became a massive success in Japan, going gold upon release. Later that year, the band released their second album, In Color. It backed away from the harder-rocking Cheap Trick, featuring a slicker production and quieter arrangements that spotlighted the band's melodic skills. Due to their constant touring, the record made it into the U.S. charts, peaking at number 73; in Japan it became another gold-seller. The band realized that they were virtual superstars in Japan when they toured the country in early 1978. Their concerts were selling out within two hours and they packed Budokan Arena.
Cheap Trick's concerts at Budokan Arena were recorded for release -- the record appeared after their third album, 1978's Heaven Tonight. That third album captured both the loud, raucous energy of their debut and the hook-laden songcraft of In Color, leading to their first Top 100 single, "Surrender," which peaked at number 62. However, the live performances on At Budokan (1979) captured the band's energetic, infectious live show, resulting in their commercial breakthrough in the U.S. The album stayed on the charts for over a year, peaking at number four and eventually selling over three million copies; a live version of "I Want You to Want Me" became their first Top Ten hit. Later that year, the group released their fourth studio album, Dream Police, which followed the same stylistic approach of Heaven Tonight. It also followed At Budokan into the Top Ten, selling over a million copies and launching the Top 40 hit singles "Voices" and "Dream Police." In the summer of 1980, the group released an EP of tracks recorded between 1976-1979 called Found All the Parts.
Following the recording of the George Martin-produced All Shook Up, Petersson left the group in the summer of 1980 to form a group with his wife, Dagmar. Petersson rejoined the band in 1988 and the group began working on a new record with the help of several professional songwriters. The resulting record, Lap of Luxury, was a platinum Top 20 hit, featuring the number one power ballad "The Flame" and a Top Ten version of Elvis Presley's "Don't Be Cruel." Busted, released in 1990, wasn't as successful as Lap of Luxury, peaking at number 48 and effectively putting an end to the group's commercial comeback. Cheap Trick signed with Warner Brothers in 1994, releasing Woke Up With a Monster; the record spent two weeks on the chart, peaking at 123. That same year, Epic Records released a sequel to At Budokan, Budokan II. Compiled from the same shows as At Budokan, the record provided an effective reminder of why the group was so popular in the late '70s, not only for the public, but for the band as well.
For Elvis Presley see Number 840
On April 30, 1998, the group began a four-night Chicago stay, devoting each show to reprising one of their first four albums in its entirety; the dates later yielded a 1999 live LP, Music for Hangovers, issued on their own Cheap Trick Unlimited label. A band-authorized hits collection followed in 2000. (See the band's official website for more information: http://www.cheaptrick.com/.) By the dawn of the new millennium, Cheap Trick were still without a label, but had retained their loyal following as they kept touring the world (surprisingly, Cheap Trick turned down an offer to open up for their old pals Kiss on the masked quartet's farewell tour of arenas and amphitheaters in 2000), as another live set saw the light of day in 2001. Entitled Silver, the double-disc set (and companion DVD) was a fine document of a star-studded and career-spanning 25th anniversary show from August 28, 1999, in their hometown of Rockford, IL. The band also recorded a studio album, released in 2003 as Special One. It was followed in 2006 by Rockford. ~ Stephen Thomas Erlewine & Greg Prato
What does Rolling Stone think about Cheap Trick (Albeit they gave their debut 0 stars, I will at least let Rolling Stone talk about Cheap Tricks "Greatest Hits" ~ Gives them, (i hope) a chance to redeem themselves (?)) "Cheap Trick had no command of the "deep and meaningless," as Robert Plant once put it, and thus could not generate the mystery of Led Zeppelin. And they had a fitful command of the deep and meaningful, making only occasional attempts at sociological commentary that had a satiric edge closer to the Coasters than to the Who or Pink Floyd. What they did have was command of the shallow and meaningless: cliched love songs, the grand gestures of arena rock, decent hooks and explosions of Dionysian ecstasy that left audiences happy, with little residue for analysis. Frontman Robin Zander had a fine voice in the John Lennon/Liam Gallagher tradition of screaming in tune. Guitarist-songwriter Rick Nielsen could be counted on for monster chord progressions. Bassist Tom Petersson and drummer Bun E. Carlos stayed locked, however thick or thin the gruel. "Surrender" and "Dream Police" will live on. The band's live stuff, which always had the most juice, is underrepresented in this two-CD collection, but "Gonna Raise Hell" is dynamite. Their cover of "Ain't That a Shame" will teach the joys of headbanging swing to future generations. (Why didn't they include their MTV hit "Don't Be Cruel" here?) Final judgment: Hard rock with a careerist pop sensibility and a few moments of genuine inspiration. You wonder what they could have done if they hadn't tried to repeat the success of "I Want You to Want Me." CHARLES M. YOUNG(RS 945, April 1, 2004)
Be wary, I mean, it was dated 1 April yanno.
For Robert Plant see Number 845
For John Lennon see Number 639
For Pink Floyd see Mellow Mix Vol 1 Number 138
For Led Zeppelin see Number 957
Labels: Cheap Trick 651